An Exceptional Pair of George III Marquetry Bombe Commodes
Attributed to Mayhew and Ince
English circa 1770
Price available upon request
The marble tops with moulded edge above a pair of doors veneered in quartered padouk with oval panels of harewood with finely detailed marquetry of musical instruments and hunting trophies suspended form ribbons and swags of husks; the sides similarly decorated with panels of floral marquetry within oval panels; the serpentine apron terminating in ormulu mounted feet
Height 36 1/4 in (92 cm)
Width: 43 in (109 cm)
Depth: 23 in (58 cm)
Wateringbury Place, Kent
This pair of serpentined ormulu mounted and marble-topped cabinets with their inlaid ovals medallions are designed in the 1770s 'antique' style after the French manner. floral bouquets decorate the side medallions while flower-wreathed pastoral trophies are suspended within ribbon-tied festoons of laurel. A trophy of musical instruments is accompanied by a love-trophy of Cupid's weapons on one cabinet, while its companion features sporting weapons derived from Attributs de Chasse, such as P.F. Tardieu engraved after J. C. de la Fosse (d. 1789; see G. de Bellaigue, '18th Century French Furniture and its debt to the Engraver', Apollo, January 1963, p.18, fig. 6).
Very similar ribbon-tied musical trophies appear on a commode in the Victoria and Albert Museum (W. 88-1942) and would probably have been based on the same contemporary printed designs; as well as on the Chesterfield Commode - attributed to Mayhew and Ince and almost certainly supplied to Philip Stanhope, 5th Earl of Chesterfield K.G. (1755 - 1815) for Chesterfield House, London. A trophy of garden implements in a similar style appears on a commode formerly in the Mount Trust collection, as well as on the commode from the collection of the Earls of Shaftesbury at St. Giles's House, now in the Metropolitan Museum of Art, New York, and illustrated in A. Coleridge, Chippendale Furniture, London, 1969, pl. 48.
The engraved foliate clasps which ornament the corners of each oval panel also appear to be a motif employed by Mayhew and Ince. They appear, along with foliate tendrils similar to those on the sides of this pair of commodes, at the front corners of the top of the serpentine commodes previously in the collections of Sir Anthony de Rothschild at Aston Clinton, Buckinghamshire, Viscount Leverhulme at the Hill, Hampstead, and latterly Sir Michael which has been attributed to Mayhew and Ince.